Horological Association of Maryland, Inc.

May 2008 Newsletter

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OFFICERS:

PRESIDENT:                    Dave Grau     tictocfinewatches@verizon.net

V. PRESIDENT:               Al Takatsch,   al_taka@yahoo.com

SECRETARY:                Dave Hannemann  david-patricia@verizon.net

TREASURER:                    Stan Craig,      timewatch@peoplepc.com

SERGEANT-AT-ARMS:   Earl Knight,   earljan@hughes.net

 

DIRECTORS: 

Jerry Kincaid (07)                     tictoctwo@aol.com

Brett Louis (07)                        blouis@hst.nasa.gov

Dan Spath (07)                         daspath@verizon.net

George Tresansky (07)             geotnant@aol.com

Jack Kennan (08)                     jgkennan@webtv.net            

George Painter (08)                gpainter@adelphia.net

 

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See you at our next meeting Sunday May 18, 4 hour Workshop
 
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Importers & Distributors of Jewelers & Watchmakers Tools & Supplies
 
 
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Greetings to my fellow HAM members!

 

The last few months have been terrific, as many members have come forward to share their knowledge with others.  Thanks so much to all of you for your contribution.  I look forward to continued teaching and learning in the future.  That, I believe, is one of things that makes HAM such a great group of people.

 

Earlier in the year we discussed a number of possibilities for a visit to a location of horological interest.  Please send me your ideas (we also will have discussed it at our May business meeting) so that an event can be arranged.

 

On Sunday, May 18 we’ll be having a half-day workshop starting at 1pm at the Ellicott City Senior Center.  We’ll be meeting in a smaller room near the room where we usually have our meetings.  Topics will include a continuation of hairspring work, creating parts on the lathe, and any other work that you’d like to bring to the workshop. 

 

Here’s a Vacheron movement I picked up recently that has 8 adjustments-- six positions, temperature, and isochronism(?).  I wonder why all makers of movements did not say that.  There was a tariff placed on movements imported during the early to mid-1900s that was reduced if the movement did not say adjusted or adjustment.  Perhaps the prices on higher-end movements were such that the increased price was not as significant as having a movement marked, as in this case, 8 adjustments. (See Picture Below)

 

Hope to see you at the next workshop!

 

Regards,

Dave

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HAM 12 May 2008 Meeting Minutes

 

In attendance were: Dave Grau, Al Takatsch, Stan Craig, Earl Knight, Bob Rothen, Dan Spath, George Tresansky, Bill Miller, Don Buck, Tom Mostyn, Chad Holmes, Tom Koluch, John Ryea, Leroy Roberts and Dave Hannemann.

 

Old Business:  The meeting was called to order by David Grau.  Stan Craig made the treasurer’s report which showed we are still solvent.  Al Takatsch presented the secretary’s report which included a presentation by Al on botched repair jobs which was viewed at the previous meeting on 22 April. 

 

New Business:  Our president then reminded those present that our next meeting was a 4 hour workshop on 18 May at the Howard County Senior Center.  Topics to be covered were making a part on a jeweler’s lathe and a continuation of instruction on adjusting a hairspring.  David Grau was to contact the Dorwood Center to develop plans for a tour.

 

Tom Mostyn then made a presentation on Chiming Clocks and setting up their chiming sequence.  Tom used Westminster chime as an example since the first quarter hour chiming sequence was in four descending tones which could easily be located on the chiming cylinder.  He then explained that chiming clocks have five chiming sequences and they are repeated twice in the hour.  He then explained how to set the “warning” pins for the chime cycle and why they needed to be low in the train because of how power is lost moving up the train to the fly or governor.  The same applies to the “stop locking” pin which is on the next wheel above the “warning” pin.  The presentation was very well done and provided a clear and simple process to set up properly a chiming sequence.

 

The 50/50 was won by Tom Koluch.

 

Our next meeting is scheduled for June 9 at the Howard County Senior Center.

 

Respectfully, Dave Hannemann

 

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From the Workshop,
Al Takatsch
 
I hope you enjoyed my pictures on Clock Botch Jobs at the April 28th meeting. Not only entertaining but good discussion about what led the repairer to do the repair in the first place and where they went wrong.
 
I had the pleasure of working on a family heirloom Wall clock the had ripped off its wall hanger after 30 years. I normally do not accept casework repairs but this clock was crying to be fixed. It has a Keninger striking movement with Saint Charles written on the dial. The customer brought it to me in many pieces and wondered if it was repairable. His father had made it many years ago and was very proud of it (before it crashed).
 
Extensive case damage to the crown and bottom had broken off, door fractured in three places as well as broken glass. The pendulum suspension post was torn off as both weight cables snapped from the impact with the floor.
 
I was concerned about further movement damage but the thinner Vienna Type cables had snapped before causing winding arbor damage.
 
The above damage and slight wear to the bushings gave me hope that it could be brought back to life.
After the customer approved the estimate I repaired movement and tested it for a week, I then started on the case work. Mahogany was used throughout, an inch thick in places. The Crown concerned me the most due too all the clock's weight is held by it. Originally it had tongue and grove joints with glue and tack nails to hold parts in place. All this was torn loose. I fitted the Crown to the case and installed 3 inch screws to give the clock a solid structure and also glued to make the repair permanent. I was fortunate that the crown had a removable access panel which made my repair area disappear. The bottom was fitted and glued, I decided against screws, they could not be hidden and were not necessary as this is not a high strength area.
 
The fractured door frame with the broken glass still inside needed to be trued and glued, clamps held it straight while the glue cured. After a couple of hours I removed any glue squeeze out while it was still easy to work.
 
Since I am a glutton for punishment I wanted to learn how to cut and replace the glass. So off to Home Depot to purchase tools and glass. I practiced straight and curved cuts with success using free hand scoring but had trouble making a dependable circle cut using the circle tool scorer from Merritts. Learning to cut glass training time became a issue so I brought the door frame to a Glass Shop in Frederick which cut and installed the glass in minutes.
 
The case was then gone over with Min-Wax Dark Walnut Stain to hide various imperfections which blended with the original finish perfectly.  I cleaned the entire case with Lemon Pledge.
Installed the movement and tested for several days without a problem. A total of 6 hours labor, cables and supplies were used. I included some before and after pictures below.
 
The customer complemented my repair by saying he never remembered it  looking better and was happy to pay the price.

casework3.jpg

doorbeforeglass.jpg

kieninger.jpg

movementrepaired.jpg

finished5.jpg

finished2.jpg

finished6.jpg

finished3.jpg

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Workshop Hints
Bluing hints

http://www.bhi.co.uk/aHints/bluing.html

The British Horological Institute has archived and edited the following from e-mails sent to the Clock/Clockers mailing lists on the Internet. The information here does not necessarily indicate a method approved by the BHI, we are only publishing this digest so that others can decide for themselves whether the methods listed below will suit them.

from:
Ray Bates, Steven Berger, Steve Callihan, Jacques Le Clainche, Scott Fuller, Tony Gray, Harry Gilmore, John Haddy, Alan Heldman, Eliot Isaacs FBHI, Mel Kaye, John C. Losch, Mike Murray, W. R. Smith, Tim Sweet.

 

Index
General
Preparation
Bluing
Touching up afterwards
Pseudo Bluing
HYPERLINK "http://www.bhi.co.uk/aHints/bluing.html" \l "Bluing Screws"Bluing screws

 

General

Some of the methods are very dangerous and should only be undertaken with extreme caution. All the methods use heat and will give off some fumes. These methods should only be used in a well ventilated area and away from any younger persons who may get hurt. The BHI does not endorse any one method of bluing hands, but suggest you try some of these methods to find which one suits you best.

Many clocks and watches that come into the workshop for repair have blued hands that are not in as good a condition as they could be. It is, with practice, quite a simple job to re-blue the hands again. The process involves cleaning the old hands and then heating the hands until they are the right colour.

If the rust on your hands is only superficial, try placing them on the bench and scrubbing them with a steel brush (hardware store variety, fine wire). It will remove the rust and leave the basic heat blued original finish. A coating of oil or wax will make them look good and help to inhibit further rusting. However if the rust is more than superficial, you will need to undertake the following.

Preparation

It cannot be emphasised enough that the final finish depends on the amount of polish and finish you put into the hands before you blue.

If you are re-bluing existing hands and the hands are old and rusted, first remove the rust by placing them on a piece of pith wood with the tube pushed down into the pith wood to hold them in place and remove the rust. You can use soap stone, or they can be buffed with extreme care or diamatine (diamond dust) and oil on a hard wood stick flattened on one side.

To avoid the need for polishing away the blue to obtain the bright polished finish required for a good blue job, you can boil the hand in a mixture of boric acid and water. This will remove the blue without the need for abrading it away. Also, quite often the finish remaining is good enough that re-polishing is not required, or at least minimised. Be sure to remove all wax before boiling.

When making a new hand , it is best to avoid the use of tool steel. It often contains elements that prevent bluing by heat. A simple heating of a test piece of the material will save a lot of wasted work. Also, when making a hand, one sometimes gets a poor result and needs to start the bluing process over again. Of course, the quality of the blue obtained is very dependent on the polish and cleanliness of the hand before bluing. When making a new hand, I usually go from a file, through the emery grits from 320 to 600, followed by buffing with Tripoli and rouge, then a solvent to remove the grease of the polishing compounds. At this point one is wise to use cotton gloves to prevent finger marks. I once had a pair of dirty tweezers ruin a blue job.

Bluing

If you want to do the job properly, heat bluing is the route for you. But, be prepared for a lot of practice and frustration. The thinner the metal you are working with or the degree of taper from boss to tip that you are bluing, the greater the difficulty.

Too much heat, and you will "white out" the steel, and will have to start all over. Not enough movement of the heat source according to the thickness of the hands and you will vary the colour from too light to deep blue to purple, to brown. Whenever you "white out" you have to polish the steel down again, and start over.

Method 1.

This method involves placing the hands on a bed of granules that will transmit the heat evenly over the whole length of the hand.

Place granules (silica sand, Salt or Clean Brass filings) in a tin or metal type pan. Use about 1/8" of granules in pan. Lay the hands finish side up on the sand and with heat source of some kind such as a wood oil burner, begin heating the bottom of the pan and keep the pan moving with the hands staying in the centre of the flame as much as possible. After the sand gets hot the hands will begin to change colour - a reddish colour first and a maroon colour and then watch carefully for the colour you desire. When the colour is as you please, remove the hands and place in water or oil to cool.

NOTE: Some people use molten Lead or Hot Oil instead of granules. Be aware that hot liquids can do more damage to you than hot metals if you should accidentally tip them over yourself (or worse someone else!)

Method 2.

Use a hot air gun, you know the sort of thing that’s used for stripping paint. With a little practice (very little, I might add) this gadget enables almost perfect control of the process. By varying the distance of the nozzle from the hand (which is placed on a heat resistant fibre board) it is easy to progress slowly through all of the colours until a nice even blue is obtained. Initial preparation of the hands is of course the same as for any other method of bluing.

Method 3.

An electric tempering oven with a pyrometer and temperature control enables you to set any temperature in the range of colouring or tempering steel. By putting the hands in the oven and then letting them come to temperature, they will blue themselves. It is also useful for tempering pinions and other clock parts, for annealing arbors to be drilled, and for some kinds of soldering, etc.

Method 4.

For cheap clocks where the full heat bluing process would be an overkill, strip them and use selenic acid, obtainable as gun blue under the trade name (Formula 44/40) It gives a blackish colour, acceptable in cheap clocks whose hands were probably finished similarly, and will last with a faint coating of oil, wax or lacquer

Touching up afterwards.

When bluing on brass shavings, or clean sand, some parts of the hand come-up more quickly than others. The lagging portions can often be brought up to the same colour as the darker parts by either of the following 2 methods.

Method 1.

Using a slightly curved piece of 1/4" X 1" brass strip. It can be clamped to a stand over either a controlled Bunsen burner flame or (for a long time) over an alcohol lamp. The area to be blued can be rubbed over the heated brass while the hand is held in tweezers. As colour progresses move the hand along starting at the thickest or widest part and moving to the thinner areas in need of repair.

Method 2.

By waving the pinpoint flame of a small torch across the lagging part. "Wave" is the secret. Just one fast pass across the lagging area and wait, then another and wait, etc.

Pseudo Bluing

It is possible to simulate bluing for clocks and watches that do not justify the cost of proper bluing.

The substances available are:-

Blue enamel (sold for the purpose),

Gun bluing paste

Super Blue Extra Strength Gun Blue For Steel

Brownells Oxpho-Blue (USA)

Parker Hales's Comet Super Blue.(UK)

Note: The above contain various acids including the poisonous Selenious acid.

Paint
Made in the U.K. called Citadel Colour and its colour is deadly nightshade. Brush an extremely small amount on and I doubt that anyone could tell that it was retouched. I'm confident that if any blued hands needed repair and I needed to hide a small amount of Tix solder, that this combination will do the job nicely.
I think the Citadel range are of a similar formulation to artists' acrylic colour, with some being opaque and others (perhaps "deadly nightshade") translucent.
The firm Citadel Miniatures AKA Games Workshop Inc. is UK based, The addresses that I have for the companies are:

Games Workshop Ltd, Chewton Street, Hilltop, Eastwood,
Nottingham, NG16 3HY, U K
Tel: (01773) 760462
and
Games Workshop Inc., 3431 C Benson Avenue, Baltimore,
Maryland, 21227-1072, U S A
Tel: (301) 644 5699

A selection of marker pens
"edding 800". It is more opaque and a better colour than other markers that I have tried, and the result is not as black as gun blue. The only problem that I encountered was that it did not dry very hard, and was prone to fingerprinting. A satisfactory solution is to let it dry and then quickly brush on a coat of auto acrylic lacquer -- this results in a hard durable surface. Make sure you clean your brush well afterwards as some of the blue colour will almost certainly have been picked up.

'layout blue'.
A quick swipe of the felt tip covers any piece of metal, brass or steel, with a bright blue
coating, which dries instantly, and shows lines made by a scriber with superb clarity - far easier and more convenient to use than old fashioned marking fluid.

A couple of words of caution - there are two versions of these pens - water based and spirit based, and it is the latter which is useful. The spirit dries out very quickly, and it is essential to keep the cap tightly on when not in use. I store mine upright, cap down, and this seems to make them last longer. After the work is complete, all traces of the blue are easily removed with methylated spirit (denatured alcohol). We use these markers on a regular basis in the BHI seminar workshops.

Bluing Screws

To blue a screw head you first have to clean it up, polish it, and then remove any oily or greasy deposits from the surface.

holding the screw (by its thread) in a pin vice or lathe; cleaning the slot with a piercing saw or junior hacksaw; removing any burr with a pivot file

polishing the head on a piece of crocus paper or 3/0-emery, supported on a cork or other flexible sheet.

When the polish is to your satisfaction, wash it off in meths, alcohol, or other volatile solvent.

Then, holding it by the threaded end in a pair of old snipe-nose pliers, slowly pass it in and out through a spirit lamp flame. Watch very carefully for the straw colour beginning to appear and continue until there is a nice deep purple. By this time, with a little experience, you would already have the screw withdrawn from the flame.

As soon as the colour is right *immediately* quench the screw in water, dry it and rinse again in solvent.

Complicated? -- the whole operation would probably be completed in less time than it took to read this paragraph, and it is FUN.

If you have a *whole batch* of screws to get to exactly the same colour, take a piece of thickish brass plate, drill a number of holes clearance size for the screw thread in it, and drop a screw into each hole.
Heat the whole plate, screws and all, over the alcohol lamp, then when the right colour is reached (or just a smidgen before), upend the plate and tip all the screws simultaneously into cold water. I dewater the screws in white spirit, then dry (with a soft tissue, not a hot air gun - this could change the colour), and give a final wipe with thin oil to bring up the blue colour to its gleaming best, and stop any future rusting.

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Horological Association of Maryland, Inc.
 
Secretary Kevin Casker kcasker@gmail.com
Webmaster David Grau dg33@verizon.net

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